![]() The perspective of scientists is also unique compared to the motley working-class crew of the Nostromo. It's not only a distinguishing factor, but a means for Espinosa to get more creative with the kills. If the Xenomorph is mostly hidden within the shadows of the 1979 classic until the very end, Calvin’s composition is always fluctuating. The Martian creature begins as a single-cell organism, and takes on new forms as it devours its victims. While both Life and Alien exist firmly in the space-slasher subgenre, the design of Calvin is completely distinct from the Xenomorph. RELATED: 'Alien' Games Ranked by How Fun It Is to Use the Flamethrower The life form, nicknamed “Calvin” by Earth-bound school children witnessing the televised reports, is both sentient and lethal. When an unmanned exploratory vessel discovers an extraterrestrial soil sample in a Martian probe, samples of the organism are delivered to the crew of the International Space Station. For a recent, underappreciated example: The 2017 science fiction horror film Life takes the premise of Alien and runs with the story of Ridley Scott’s claustrophobic classic nearly note-for-note. There wouldn’t be a Reservoir Dogs without The Killing, there wouldn’t be Assault on Precinct 13 without Rio Bravo, and there certainly never would never be Cliffhanger, Speed, Air Force One, or The Rock without Die Hard. Not every rip-off has to be a deceptive Asylum title, and many rip-offs are classics in their own right. ![]() When everything is based on a name brand or burdened with world-building, seeing an old-fashioned rip-off feels almost quaint. ![]() Modern film development is dominated by sequels, prequels, spinoffs, adaptations, and basically any established existing property.
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